"A brushed carve is just a carve that isn't locked into place. So instead of producing a skinny track it leaves a wider track. But the PMTS movements are still there."
- Max_501
i would link to the thread at realskiers ("Carving Madness") in which you said that, Max, but unless i'm doing something wrong, it's not happening.
Then, in the same thread, when "Ken" said he envisioned this as letting the skis "drift," and that "brushing sounds active and drifting sounds passive...releasing some of the carve into a drift is a passive way to scrub off speed,"
you said:
I think its the other way around. Drifting (at least in the Aspen Method) is an active engagement and weighting of the inside ski's edge as its used to scrub speed. The PMTS brushed carve I'm talking about its a standard PMTS turn without a solid edge lock. You don't do anything active to get the brushed carve (other than not doing an edge locked carve).
Then "SkierSynergy" talks about digital vs. analog, light switches vs. rheostats, and:
Skill 2: Independent/differential tipping of the feet. To answer the above question very simply, a drifted turn is produced by tipping the stance foot less than the free foot. Note that this skill already assumes that you can do skill 1. The movement question to ask is what movements in the stance leg could flatten the stance ski in relation to the free foot ski? Often this can be achieved by simply relaxing the stance ankle a little (i.e., not try to vigorously evert) while simultaneously continuing to tip the free foot. This flattens the stance ski a bit and it drifts. One can also flex the stance leg a bit and while continuing to tip the free foot ski. This will also flatten the stance ski a bit. By the way this is why you don't want to be flexing both legs during the engagement phase: it actually decreases bite in the stance ski.
If you can independently, or differentially tip with fine analog control, you can drift and carve at will. The infamous “pivot turn” (sic) that many people talk about is actually done not by pivoting (as a cause), but by differential control of edging and pressure. You see this lately in racing when the gate is placed too high and far across the slope to "carve" it. As the body exits the previous gate and is directed at the high gate, the racer can relax the stance ski and begin to drift horizontally across the slope. At the same time, if the free foot continues to tip while the stance ski flattens, the body begins to pivot (something like a canoe with one paddle dragging pivots as it moves downstream). As the body passes the gate, the skier can evert more to gradually change to a cave or, if needed, hammer on the edge with immediate eversion and enhanced countering.
The skier does not pivot or rotate to turn. He differentially edges to get the RESULT of pivoting as he drifts.
If you feel that you can carve like crazy, but you can’t do these things, then it’s time to take your movements to the next level. They are the same movements, but at a higher level of control.
Many people who can carve it up on the groomed, may feel klike it is taking a step back to learn tghis stuff. I would argue that their obsession with straight carving may be holding them back from going to the next level both generally and also in their carving.
I agree with Max that the two footed release of the "graduate test" is a great exercise. There are others also. I’ll let other people chime in with suggestions.
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As I am unable to link to the thread at realskiers (as I am also unable to post there, having been banned), maybe this post, though pertinent to the discussion, may seem incendiary. (though clearly it is not.) and maybe it is unfair to include SkierSynergy's comments without him here to elaborate, BUT...
It seems to me it's mainly being pretty facile about finding new names for old movements. However, it's a pretty interesting thread. H-Squared himself checks in and offers more.