I'm not sure I can do it total justice, because I didn't take notes and...I'm not Ron. I will say that a bunch of it clearly reflected his thinking in Ultimate Skiing, with some recent additions. I suspect he's going to put this presentation on his web site eventually (we in Boulder are usually is "test" audience for a new presentation), so what I'll do instead is give you the stuff that was most thought-provoking and useful to me...in my terms. Ron describes himself as an "empiricist", where he observes the top skiers in the world (not all racers, as you'll see from his book) and tries to understand what they're doing and how they're doing it, in terms of physics, anatomy, and the tools we're using. So here were the items, and this is my paraphrasing, that meant the most to me, and that I'm currently experimenting with in my early season skiing at Loveland (I'm a Masters racer, and most of us here in Colorado are trying to get our turns, balancing, equipment, and so forth, dialed in via drills and free skiing before we can actually start screwing gates into the snow):
- You saw what I said in the above post, in this thread, where I quoted from Ron's book re toppling. That was a real key thing for me, because we've all been doing it for years, but it makes me feel better hear that toppling and recovering makes sense. The way I'm going to explain that concept to my teammates this year is via the idea of "disconnecting and reconnecting." When you topple, you disconnect the torso and the feet, which is why having the hips/spine area be loose and function as a universal joint is essential. Then you reconnect the feet/skis and the torso in the carving phase of the turn. You could look at "disconnecting" as uncontrolled, I prefer to think of it as you being a skilled enough athlete to manage two parts of the body that are doing two different things: the body wants to topple to get to the inside of the turn, the feet and skis are heading outwards toward the arc of the new turn. Managing these two activities isn't simple...it's like patting your head and rubbing your stomach...but it is a skill that can be learned...especially when you see the benefits, which are that you can now get the body against the ski, not over it.
- As a corollary of the above toppling phenomenon, the idea of using the inside leg as a support for toppling. Here's my stuff from a similar thread in this forum:
http://www.epicski.com/forum/thread/87190/wc-ski-technique-impressions-from-soelden-gs-opener/30
See what I said re the Jessica Kelley sequence.
I've been trying this a bunch early, and I like it a lot. It takes a lot of good fore/aft and side/to side balance to make it happen, because you have to have a real subtle feel for moving just a little to the inside ski and then almost immediately moving to the outside ski, but I like the balance aid that you get...makes you likely to commit more.
- This is one that I'll have a hard time describing, but I think essentially what he was saying is that WC coaches are talking about the actual carving part of each turn as being very brief in time and very short in duration. I don't really think this is the stivot discussion so much as it is two things:
- (1) He was showing that at the very top of the turn, it's hard to get a huge edge angle and pressure, and maybe it's not really necessary. I think what he's saying is that true carving has a fairly big edge angle and pressure to it. At the top of the turn, the edge angle is relatively low, which is okay, because (my terminology), the ski is tracking lightly on the edge. It's when you get to the fall line (hopefully) that you can search for max edge angle and pressure, through a combination of internal (essentially muscular) and external (essentiall, momentum, gravity, the pitch of the hill) forces to max the true carve right in the fall line, where it's fastest.
- (2) At the bottom third of the arc, where you're coming out of the fall line, you also want to be easing off on the pressure and rolling off the edge to a neutral ski...tracking out of the turn, in other words. This is my greatest sin, and why I can be slow in the course, which is that I often enjoy my turns so much that I spend half my life in them. Once the ski has turned the corner, track out of the turn, don't grind against the combined forces of momentum and gravity.
- You'll have to read the book to get this one down pat, but there's whole discussion of the edge angle (angle of edge in the snow) and why that's good (more angle with the right amount of pressure equals a tighter carved radius of the turn) and the platform angle, which is, and I'll quote from the book so I don't blow it:
"The ski has to penetrate the snow, cutting a platform that will support you, and gthe angle between that platform and the force you apply to it, the platform angle, must be 90 degrees or smaller. "
I really can't do it justice without the accompanying stuff in the book, but what it got me to think is something I've been trying to explain. You hear all this good stuff about "Ya gotta have big edge angles", but nobody ever says why this is a good thing. Per the above, shaped skis don't do much if they're flat on the snow, they only start making sense when they're up on edge. He has a chart that shows, for example, that on a 12 meter ski, a 45 degree angle will let you carve a turn of 8.5 meter radius, while a 60 degree angle with the same ski will allow you to carbe a 6 meter radius turn...useful stuff to know if you want to (a) stay in the course where it's offset and (b) keep the carving portion of the turn closer to the fall line.
The platform thing concept, I'm not doing justice to. But at least a simple component of it is, something we've all taken for granted but probably never thought about, which is without a sufficient platform, the ski's going to slip down the hill. The way I've been feeling this is that there is a totally flat ski, which, of course, is going to slip if you're at all across the fall line, and a really BIG edge angle, which will provide a suitable platform. But there are also angles in between that aren't big enough to provide a sufficient platform...so you'll essentially skip off the edge sideways, reengage the edge again, skip off it again, and so forth, until you end up in the harbor chop below the gate. That's something I have a lot of experience with, and plan to eliminate this year by...making sure I have the optimum platform angle.
Let me leave it at that, those were the things I came away with for what I'm doing, and again, my paraphrase, so my apologies, in advance, if I've misconstrued any of Ron's intent...

Quote:
Originally Posted by
borntoski683 
SkiRacer, would you mind writing up a summary of LeMaster's presentation last week?